Music Theory II
Categories in section: Music Theory
| Basics ( 9 ) | Music Theory I ( 11 ) | Music Theory II ( 8 ) | Music Theory III ( 3 ) | Music Theory IV ( 3 ) |
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Dominants
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Dominant - simple, yet sophisticated.
Dominants have been the staple of music for hundreds of years. Every time you listen to a song, by the end you've heard the dominant do...
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Modulation
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You've no doubt heard a modulation in a song before. Whether it be in a cheesy Broadway show tune or a Beethoven symphonic masterpiece. Composers use modulation when they want...
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Non-Harmonic Tones
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Non-harmonic tones are tones that are not within the chord. For example, in a G Major chord, you have the notes G B D. Any other note is considered a...
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Roman Numeral Analysis: Part II
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You've already learned the basics of Roman Numeral Analysis, but how do you show what you've learned in Music Theory II.
Seventh Chords
Seventh chords are shown by adding a 7...
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Secondary Dominants
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As you now understand the use and power of dominants, you can relax, you've learned the hard part.
Now I want you to forget all you learned about "rules." Because...
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Seventh Chord Inversions
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Seventh chord inversion are very similar to triad inversions. They work the same way, but have different symbols.
Root Position - Nothing
First Inversion - 6/5
Second Inversion - 4/3
Third Inversion -...
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Seventh Chords
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We've learned about triads and how they are built. Now we can learn how to make them sound a little more interesting.
Seventh chords are very similar to triads, in...
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Seventh Chords Within Scales
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Major Scale
IM7, ii7, iii7, IVM7, V7, vi7, vii*7
Natural Minor Scale
i7, ii*7, IIIM7, iv7, v7, VIM7, VII7
Harmonic Minor Scale
imM7, ii*7, III+M7, iv7, V7, VIM7, vii*7
Melodic Minor Scale
imM7, ii7, III+M7, IV7, V7,...
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